Leaning Tree, 2011
Leaning Tree, 2011
Garden and Red Chair, 2007
Garden and Red Chair, 2007
Three Flower Pots, 2010
Three Flower Pots, 2010
Orane Bench, 2023
Orane Bench, 2023
Bench, 2019
Bench, 2019
Mirror Wall, 2015
Mirror Wall, 2015
Three Spheres, 2015
Three Spheres, 2015
Four Benches, 2021
Four Benches, 2021
Bench and Orange, 2010
Bench and Orange, 2010
Garden, 2017
Garden, 2017
Stairway Art, 2017
Stairway Art, 2017
Four Red Chairs, 2017
Four Red Chairs, 2017
Governors, 2017
Governors, 2017
Window Vinyl, 2016
Window Vinyl, 2016
Bike Rack, 2016
Bike Rack, 2016
Stairway Artwork, 2016
Stairway Artwork, 2016
Brick Enclosure and Chairs, 2014
Brick Enclosure and Chairs, 2014
Three Figures, 2013
Three Figures, 2013
Tree and Rusty Wall, 2013
Tree and Rusty Wall, 2013
Orange Wall, 2012
Orange Wall, 2012
Skelaton, 2016
Skelaton, 2016
Sunset, Tree Shadow, and Benches, 2009
Sunset, Tree Shadow, and Benches, 2009
Ten Hexagons, 2009
Ten Hexagons, 2009
Stairs to Nowhere, 2009
Stairs to Nowhere, 2009
Mammoth, 2009
Mammoth, 2009
Night Class, 2007
Night Class, 2007
Bike Rack, 2007
Bike Rack, 2007
Bulletin Board, 2007
Bulletin Board, 2007
Bulletin Board 2, 2007
Bulletin Board 2, 2007
Ersatz is a photographic exploration about how architecture influences those who inhabit it.  Architecture plays an important part in how people interact, where and whether they interact, and how they feel about the activity that happens in the space.  People recognize when they do not like a space or if it is lacking something and shown in this work is the attempts to rectify the flaws in the design. 
Ersatz: [er-zahts]: An artificial substance or article used to replace something natural or genuine; a substitute.
This work examines artificial features that are incorporated into publicly accessible spaces: commercial, corporate, and institutional, constructed environments in an attempt to mitigate or lessen the effect of structures that, while functional, are essentially cold flat featureless boxes.  This collection seeks to draw the viewer’s attention to the presence of these ersatz elements in modern architectural spaces.
All of these images depict elements added to the environment to simulate comfort to those people who pass through these spaces.  Some are of a more physical or sensory kind, such as a place for people to sit or something to look at.  However, most ersatz elements relate to the connection of humans to nature. The place to sit or thing to look at becomes a place to look at nature or a representation therein.
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